ghost-anus

The background here: my girlfriend had a 1944 dollhouse that she grew up with, and acquired bits of ‘furniture’ to make the experience more real. We were just down at her mom’s place for the holidays and, feeling nostalgic, she set up the bedroom. Her cat, Sunny, being the quirky thing that she is, finds new things interesting and manifests this curiosity by lying on them. These pics capture that moment: a small doll house bedroom with a gigantic Maine Coon, head resting on the pillow and everything. The first pic caught her getting comfortable, with her tongue just sticking out of her mouth.

(source)

claireizard

svvord:

ruingaraf:

themarchrabbit:

Seriously, it kills me when I see people hold scientists up as pinnacles of logic and reason.

Because one time the professor I was interning for got punched in the face by another professor, because mine got the funding, and told the other professor his theory was stupid.

This same professor told me to throw rocks to scare the “stupid fucking crabs” into moving so we could count them properly.

SCIENCE

thank you

this is one of the best comments this post has recieved

vegetation in plot 5 was not sampled because bees

inthesilvershadows

17yroldghost:

a-beard:

fuckyeahassortedstuff:

roshi-no-tabi:

Fun Fact: None of the actors but Gene Wilder knew that the tunnel scene was coming. Like, they had the lines and stuff, but they thought it was just a boat ride. And when the lights came on and he started singing their terror was real

This happened a lot throughout the movie. Which is one of the reasons it’s such a great film. The directors did the same thing when they all saw the inside of the Factory for the first time. They wanted to show the face of pure imagination. To capture it all.

Same thing with the scene where he comes out of the factory to greet them.  None of them had gotten to meet Gene beforehand, so when he came out all hobbled on the cane and they had these confused looks on their faces and look actually concerned when he starts to tumble forward?  That’s all legit.  This whole movie was successful because it fucked with everyone who wasn’t Gene Wilder.

You guys know the sad Charlie reaction pic I use so much? That’s another ad lib scene. In rehearsals, gene was a lot calmer, but when they were actually filming he exploded on Peter ostrum (Charlie). That sad expression is genuine. And tht’s what it’s basically my favorite reaction picture ever.

The reason he came out limping and then rolled forward was so that from that point forward nobody could tell if he was lying or telling the truth.

literally none of this movie was scripted they just found a group of people and had them improvise an entire movie as cameras were rolling gene wilder doesn’t even exist you’re still dreaming 

staythatswhatimeanttosay
the-fandoms-are-valentines:

grandtheftautosanandreas:

Douglas Adams is the best when it comes to describe characters

they need to teach classes on Douglas Adams analogies okay
“He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”
"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”
"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”
"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”
"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”

the-fandoms-are-valentines:

grandtheftautosanandreas:

Douglas Adams is the best when it comes to describe characters

they need to teach classes on Douglas Adams analogies okay

He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”

"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”

"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”

"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”

"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”